Instructions for living a life: Pay attention. Be astonished. Tell about it.

Mary Oliver

Monday, April 17, 2023

April is Poetry Month: Day 16



 Future Ark

Imagine a world where humans would 
    Do their best for the planet's good:
Water pure and forests fair--
No pollution to kill the air.
Can we change our ways much faster
And avoid complete disaster?

For without space to live in peace
The animals will soon decrease
Then disappear without a trace--
Could robot creatures take their place?
There isn't time to wait and see...
The microchip can't make a tree.

James Marsh


From: Bizarre Birds & Beasts, written and illustrated by James Marsh, Dial, 1991.  The illustrations may be stronger than the verses, with their vibrant colors and rich and quirky details, but the poems are short and catchy and together create a book that is a joy to spend time with.  I'd like to frame each and every illustration.  The selected poem is the last one in the book and has a message we've been hearing for years and have failed to act on.  Fifty percent of our world's animal species could become extinct within this century without action.  Think of that....50%!  We continue to worry about how expensive gasoline is, how we can continue to live our comfortable lives without inconvenience and species are struggling to survive, from pole to pole, across all the oceans and the continents.  Their beauty, diversity and value to our planet disappearing.  We must do more to protect our wondrous planet!  


April is Poetry Month: Day 15

Open Secrets 

Because you are beautiful I will have to tell you a number
    of my secrets
(What does anyone hid anything for except to have
    it found?)

I have concealed from you too long the fact that space
    is curved,
That I have invented the night the better to see you by 
    that
If I seem upset at times it is because of the way you walk,
    leaning into the wind.

That most of my secrets are doors that open onto other 
    secrets--
(Vistas of fields and beaches and columns stretching on
    forever),

That even these words are secrets with turquoise doors
    in them,
Opening out to one side or the other, letting you glimpse
    for two seconds
Herds of speaking horses, temples full of starfish
    Clandestine moons,

And as you walk, leaning into wind, into the terrible landscape
    of your own beauty,
These secrets are my gifts to you, these signs that lead you
    to my door.
                                    --Gwendolyn MacEwen (1941-1987)
Reykjavik, Iceland, 5/2022, photo image J. Doolittle


A poem is a peculiar, particular thing; often compact (the depth of a novel in the space of a page).
Every word chosen JUST-BECAUSE- no other word could quite say it as clearly or deeply.  The line breaks, the punctuation, Capitalization (or not), the way the words and lines sit on the page--all of those things can enlarge the poem, convey the meaning, expression the emotion, dictate the cadence.  A poem is the essence of gestalt, a thing greater than the sum of all its parts.  
For example, this poem on my Facebook post looks different and may not "sound" the same when you read it (even in your silent reading mode), so check out how it looks and reads on my blog and see what you think.

Writing a poem about love is a common undertaking (Roses are red...etc.)and yet an enormous challenge to capture "the bright elusive butterfly of love."  Poets and non-poets alike have nevertheless continued to try.  All too often the poems we read represent only one side of the equation; women poets have been underrepresented in anthologies on this subject. Of course, men can write beautifully about love.  I cite Robert Browning: 

Escape me? 
Never--
Beloved!
While I am I, and you are you,
    So long as the world contains us both... 
 
But don't we also need to hear his beloved, Elizabeth Barrett Browning's response?

How do I love you? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.


Jill Hollis has attempted to rectify that shortcoming in Love's Witness: Five Centuries of Love Poetry by Women, Carroll & Graf, 1993.  She mingles the bitter and the sweet and introduces us to women writers we are sure to have missed in our English classes.  
The poem I've shared, with its beautiful images of doors and secrets and of our longings for someone to open those doors and discover our wonders was so appealing. It became even more intriguing when I learned a little about the author, a Canadian poet, Gwendolyn MacEwen, who grew up quickly,  died tragically, but lived richly and fully in her 46 years on earth.  

Sunday, April 16, 2023

April is Poetry Month: Day 14

Little Girl as Earthquake Lit by Stars

She is embarrassed by the steadiness
Photo image created by Jean Doolittle
original 9/2015, Greenport, NY

of adult life.  Don't they know,
she wonders, there's a wind
beneath the ground too.
that birds soar through the roots.

When she was three she wanted 
to be a field of yellow grass.
At four she was determined 
she would grow up to be gravity.
Now though she wants to be
an earthquake.  What unsettles us.
She will stop us from ever standing
still too long.  A pacemaker,
like Uncle Jack's but this one
for the heart of the earth.

Sometimes she dreams of meeting
the perfect boy, one with hair
like sawdust, one who will grow
to be a star.  Not one of those greasy guys
in those movies her mother watches
in the afternoon, but
that real light that shines
across dark miles, something
measured only on its own terms,
by intensity and speed of flight.

Imagine as she does what a girl
as earthquake and boy as star could do
together.  As if we might love
our own light enough to curl within it,
to fall towards ground that trembles
in anticipation of our landing.  As if
light and earth could join and move
beneath us, jolt us into dance.
Imagine as she does what it is
to grow up and become rain or river,
symphony orchestra or garden, or one tree that stays
very tall no matter how far away from it 
you go no matter how high you climb.
                                --John Reinhard


From: The Kiss of Pages Turning, The Loft Literary Center, 1998.

"Life begins at 40" is often associated with a book written by Walter Pitkin in 1934 and has become something of an axiom in the 20th and 21st centuries.  People in previous centuries weren't saying that because the average lifespan was so much shorter in the past; there usually wasn't much life left after 40.  In our lifetimes, however, modern medical advances and decreases in infant mortality gave more and more people the opportunity to add other chapters to their lives in the years after establishing careers and childbearing and childrearing.  The "mid-life crisis" was born along with that opportunity.  If you had more life, what would you do with it?

I remember feeling somewhat overwhelmed with life's responsibilities at that time, sensing that I should have had more figured out and put into place by then and since I did not, just wanting to get away from it all.  I had even picked out a place to disappear to...White River Junction, Vermont.  Having never been to Vermont, I had no real idea of what it would be like there; just that Vermont was far away and seemed quiet, pastoral and the leaves would be beautiful in the fall. 

I never packed up and went to Vermont and I don't think my family ever knew how seriously I was considering it.  Instead I did do sometimes for myself outside of my home.  I signed up for writing classes at the Loft.  One of those classes was poetry writing with John Reinhard.  The other aspiring poets in the class were enthusiastic and very talented and we continued to meet and critique each other's work long after the class was over.  Several have published their poems in books and poetry anthologies...talented, indeed.

John is a great teacher and an outstanding poet.  A few years after my class with him, he was one of the winners of the 1998 McKnight Arts Fellowships for Writers and his work was published in this anthology that I'm featuring, along with some other powerhouse Minnesota writers you may have heard of: Leslie Adrienne Miller (poet, collage artist and professor at St. Thomas) David Mura (Japanese-American poet, non-fiction writer, playwright and performance artist), Kate DiCamillo, Newbery Award winning children's writer) and William Kent Krueger (best-selling mystery writer, known for the Cork O'Connor series). 

I love the imagery of this poem and I remember that John told us about it origins; I only wish I remembered the story he told, but somehow I find myself singing "Lucy in the Sky With Diamonds" when I read it.

Friday, April 14, 2023

April is Poetry Month: Day 13

 Cat on a Night of Snow

Cat, if you go outdoors you must walk in the snow.
You will come back with little white shoes on your feet,

little white shoes of snow that have heels of sleet.
Stay by the fire, my Cat.  Lie still, do not go.
See how the flames are leaping and hissing low.
I will bring you a saucer of milk like a marguerite,
so white and so smooth, so spherical and so sweet--
stay with me, Cat.  Outdoors the wild winds blow.

Outdoors, the wild winds blow, Mistress, and dark is the night,
strange voices cry in the trees, intoning strange lore,
and more than cats move, lit by our eyes' green light,
on silent feet where the meadow grasses hang hoar--
Mistress, there are portents abroad of magic and might,
and things that are yet to be done. Open the door!

                                                            --Elizabeth Coatsworth

From:
Winter Poems, selected by Barbara Rogasky, Illustrated byTrina Schart Hyman, Scholastic, 1994.

Why on earth should I share a winter poem in April?  Well, this is Minnesota.  A week ago we had piles of snow and winter seemed intent on lingering on forever.  Then we had tropical temperatures, the snow disappeared and the leaves prepared to burst forth.  What could next week bring?  
I picked this poem because we have a cat like "Cat" who loves to experience the weather regardless of what it is.  I like the push and pull in this poem between the warmth and comfort of hearth and home and the mystery and magic of the night in the outdoors.  Now that there is at least the hope of spring coming back day after day, I want to say, like the Cat...Open the door!

April is Poetry Month: Day 12

 The Poem That Got Away

There I was and in it came
Through the fogbank of my brain
From the fastness of my soul
Shining like a glowing coal
the nearly perfect poem!

Oh, it may have needed just
An alteration here or there--
A little tuck, a little seam
to be exactly what I mean--
The really perfect poem!

    I'll write it later on, I said,
    The idea's clear and so's my head.
    This pen I have is nearly dry.
    What I'll do now is finish this pie,
    Then on to the perfect poem!

With pen in hand quite full of ink
I try now to recall.
I've plenty of time in which to think
But the poem went down the kitchen sink
With the last of the perfect pie.
                                            Felice Holman




From: Inner Chimes: Poems on Poetry, Selected by Bobbye S. Goldstein, Wordsong Press, 1992.

This is such a fun book for people who like to read poetry, have ever tried to write poetry, or are just curious about the creative process.  This is a book that would be found in the children's section, with charming illustrations and a spacious design; but that is an artificial separation.  So much simple joy can be found between the pages; and so much food for thought (and even some tasty pie!)
 


April is Poetry Month: Day 11

Oct, 2018 Jean Doolittle
Appetite

by Marilyn Singer


Fire is always hungry.

    Meat or fish
    Carrots or eggplant
    Math books, French tests
    Overstuffed sofas, junkyard automobiles
    Tenements, castles
    A stylish cafe,  an old-fashioned street--
Some treats it gobbles,
    Others it savors slowly
            leaving a few stones, a bunch of bricks.
Fire is the least fussy of diners.
It likes almost anything 
    it licks


From: Central Heating: Poems About Fire and Warmth, Marilyn Singer, Alfred A. Knopf, 2005.

The first poem in the book is titled, "Contradiction" and the jacket blurb clarifies that word: fire is..."cheery, beautiful, unpredictable, scary, fire is our friend and foe."  Fire is elemental and we are drawn to it, but also fear its power; and well we should.  Wildfire season has widespread impacts and the dangers are increasing.  FEMA has fascinating, if scary, maps that illustrate this clearly.  The whole National Risk Index website is worth exploring to help us understand the impact of climate change and our cavalier attitudes to our environment.


Thursday, April 13, 2023

April is Poetry Month: Day 10

Alfred von Wierusz-Kowalski - In a Polish Village - 24.227 - Museum of Fine Arts

Grudnow

When he spoke of where he came from,
my grandfather could have been
clearing his throat
of that name, that town
sometimes Poland, sometimes Russia
the borders pencilled in 
with a hand as shaky as his.

I understood what he meant
when I saw the photograph
of his people standing  
against a landscape emptied
of crops and trees, scraped raw
by winter. Everything
was in sepia, as if the brown earth
had stained the faces,
had even stained the air.

I would have died there, I think
in childhood maybe
of some fever,
my face pressed for warmth
against a cow with flanks
like those of the great aunts
in the picture. Or later
I would have died of history
like the others, who dug 

their stubborn heels into the earth,
heels as hard as the heels
of the bread my grandfather tore
from the loaf at supper.  He always
sipped his tea through a cube of sugar
clenched in his teeth, the way
he sipped his life here, noisily,
through all he remembered
that might have been sweet in Grudnow.


From: Eternal Light: Grandparent Poems, A Twentieth-Century Selection, edited by Jason Shinder, Harcourt Brace, 1995.

The year was 1911.  I envision my mother, only 3 years old,  clutching her little brother's hand tightly, looking up in awe at the huge ship that would take them to their new home in America.  I have often wondered about that time in my family's life.  I wonder about my grandfather, leaving behind everything that he knew in that little Polish village; my grandmother, then 35 years old (3 years older than her husband) taking her 4 young children, with a 5th one on the way, on a long voyage to an unknown place and both of them saying goodbye to loved ones for the last time, ever.
    They had to have good reasons to leave and hopes for better things ahead.  What they would have is 11 children altogether, seven children born in America, (the last one when Grandma was 46 years old) challenges of language and customs and neighbors that would mock their religion.  They would see their eldest son lose his leg to a farm accident and have it amputated on the dining room table.  They would send 4 sons to war, they would take in my mother after she lost her young husband.  Grandpa would lose part of his ear in an accident. They would never own their own land,  but they would also have joy.  
I love spending time with my Schoenack family.  There is a vivid streak of fun and good humor that has been passed down through the generations that is almost a tangible presence.  The storytelling can last for hours.  
    I never knew my grandparents.  I was born when my mother was 42.  By that time, Grandma had been gone for 4 years and Grandpa would die in 1951, when I was a baby, too young to remember him.  I have no idea if the poem I'm sharing today reflects any of their actual thoughts or experiences, but at least one line is clearly resonant..."that town, sometimes Poland, sometimes Russia, the borders pencilled in with a hand as shaky as his..."  
My mother talked about leaving Germany, but her village is now in Poland.  The ship manifest states that they embarked from Prussia.  They came from a land marked by political turmoil, both when they left, and periodically, for decades after.  It is the ordinary people who pay the price of this turmoil, whether they leave or stay.  It is a steep price and right now, the Ukrainian people are paying with their lives.  How we need these stories of humble people to remind us to work for peace in anyway we can.