Instructions for living a life: Pay attention. Be astonished. Tell about it.

Mary Oliver

Tuesday, April 25, 2023

April is Poetry Month: Day 21

Florida, Jan 2019, J. Doolittle

What is Poetry? 

What is Poetry?  Who knows?
Not a rose, but the scent of the rose;
Not the sky, but the light in the sky;
Not the fly, but the gleam of the fly,
Not the sea, but the sound of the sea,
Not myself, but what makes me
See, hear, and feel something that prose
Cannot: and what it is, who knows?

                Eleanor Farjeon (1881-1965)


From: Pass the Poetry, Please, Lee Bennett Hopkins, Harper, 1987.  
    This is a book that I used as a teacher and the title inspired me to develop a "poetry menu" as a theme for poetry presentations I made to teachers at retreats and conferences.  It has lots of good ideas for teachers to use in their classrooms.  Rhythm and rhyme, wordplay and imagery, will always have a place in classrooms, at least I hope so.  
    Maybe we can all fit in a little more poetry into our lives...if you look it's all around you...in advertising jingles, playground chants and songs on the radio, and maybe in some neglected books on your shelf.
     I'm attaching a video of Morning Has Broken, sung by Cat Stevens (born Steven Demetre Giorgiou, and now know as Yusuf Islam) The words to this song were written as a hymn by Eleanor Farjeon, the featured poet.  She also wrote a poem that I found myself voicing out loud just tonight as we observed our cat, JJ, sleeping on the window ledge, his head resting on several stones displayed there.

    Cats Sleep Anywhere

Cats sleep, anywhere,
Any table, any chair
Top of piano, window-ledge
In the middle, on the edge,
Open drawer, empty shoe,
Anybody's lap will do,
Fitted in a cardboard box,
In the cupboard, with your frocks--
Anywhere! They don't care!
Cats sleep anywhere.

Percy, exhausted after chasing the computer mouse
Kit Kat "plants" himself in terracotta





April is Poetry Month: Day 20



Bee!  I'm expecting you!
Was saying Yesterday 
To Somebody you know
That you were due--

The Frogs got Home last Week--
Are Settled and at work--
Birds, mostly back--
The Clover, warm and thick--

You'll get my Letter
By the seventeenth; Reply
Or better, be with me--
Yours, Fly

                Emily Dickinson

From: Writing Poetry: Where Poems Come From and How to Write Them, David Kirby, The Writer, Inc, 1989.  David Kirby created a fun and accessible book on writing poetry, with lots of examples from noted poets and some of his students as well.  No doubt he's had lots of students in his 54 years at Florida State University and poetry and the teaching of it has given him lots of joy and insight.  
    I chose to feature another Emily Dickinson poem because it seemed so appropriate for our late spring which has been as anxiously awaited as Fly has anticipated Bee's return.  
    Today I introduced 20 little lettuce plants to the great outdoors to harden off for a few hours with hopes that I can put them into the garden this week and have some Black-seeded Simpson leaf lettuce to harvest in early May. (They'll be back outside again tomorrow for a little bit longer)  The winter-sowing  milk jug greenhouses that I set out in February and that spent many weeks buried under snow also have some tiny lettuce seedlings that will go into the garden in a few weeks.  Bee...I'm waiting for you too!

April is Poetry Month: Day 19

 Woodstock

I came upon a child of God
He was walking along the road
And I asked him, where are you going 
And this he told me

I'm going on down to Yasgur's farm
I'm going to join a rock 'n' roll band
I'm going to camp out on the land
And try an' my soul free
        We are stardust
        We are golden
        And we've got to get ourselves
        Back to the garden

Then can I walk beside you
I have come here to lose the smog
And I feel to be a cog in something turning
Well maybe it is just the time of year
Or maybe it's the time of man
I don't know who I am

But life is for learning
        We are stardust
        We are golden
        And we've got to get ourselves
        Back to the garden

By the time we got to Woodstock
We were half a million strong
And everywhere there was song and celebration
And I dreamed I saw the bombers
Riding shotgun in the sky
And they were turning into butterflies
Above our nation
        We are stardust
        We are golden
        And we've got to get ourselves
        Back to the garden
                            
                            Joni Mitchell, 1969


From: The Norton Introduction to Literature: Shorter Third Edition, Edited by Carl E. Bain, Jerome Beaty, J. Paul Hunter, Norton, 1982.
I didn't keep many of my college textbooks, only a couple of Norton anthologies of literature.  However, I wasn't in college in 1982; I had two small children at that time, so college wasn't a part of daily life. It must have been another addition to my bookstore that didn't sell.  This volume weighs in at 942 pages...and it's the "shorter addition!"  It was satisfying to find song lyrics from Joni Mitchell between the covers.  The poem reflects some of the naive optimism of that time..."bombers turning into butterflies" but the ideals we had back then of peace and simplicity are powerfully stated. It was also satisfying to see that she was able to return to performing at the Newport Folk Festival, 8,660 days after her last performance at the age of 55.  She had suffered a debilitating brain aneurysm that left her unable to walk or talk.  That she was able to relearn the guitar and be able to perform again at the age of 78 is amazing.  This is a woman who has been amazing...stardust and golden...her whole life!




 




Sunday, April 23, 2023

April is Poetry Month: Day 18

Starlings

Can you keep it so,
cool tree, making a blue cage
for an obstreperous population?
for a congregation of mediaeval scholars
quarrelling in several languages?
for busybodies marketing
in the bazaar of green leaves?
for clockwork fossils that can't be still even
when the Spring runs down?

No tree, no blue cage can contain
that restlessness. They whirr off
and sow themselves in a scattered handful 
on the grass--and are 
bustling monks
tilling their green precincts.

                            Norman MacCaig



From: Flights of Imagination: An Illustrated Anthology of Bird Poetry, compiled by Mike Mockler, Blandford, 1982.  
    The other day, my phone failed to complete an operating system download and got stuck in a verifying loop, thus requiring a trip to the Apple Store at Rosedale Center.  
    On the way back home, my daughter at the wheel and my granddaughter in the backseat, we found ourselves at a stoplight and had time to watch a "congregation" of starlings bustling around in the grass, seemingly impervious to all the busy human comings and goings on a hectic Saturday in the city.          Starlings are not native to America.  A hundred birds were first brought over and released in Central Park by Shakespeare enthusiasts in the 19th century because they wanted us to have all the birds that he had ever mentioned.  Being adaptable and assertive birds, the offspring of those original immigrants now number around 200 million birds from coast to coast.  You can learn more about them at the Cornell Ornithology Lab website.  Fascinating stuff, at least to me.  I can't begin to tell you how interesting I found this book to be...I didn't expect that reaction.  
    Over a period of about 12 years I operated an online bookstore which I called Ginger Tea Books.  It was never wildly successful, but most years, I generated a small income from it and realized some tax advantages but the actual "raison d'etre" (reason for being) was being able to go out and buy books!  I'm pretty sure this book was acquired in one of those buying trips, but never got sold and finally found a place to nest by all my other poetry books. It's going to now spend some time on the groaningly big stack of books by my bedside along with copies of Living Bird magazine. I support the Cornell Lab with donations and get their beautiful full color periodicals.  The birds of America are so diverse and learning about their habits, lifecycles and migratory adventures is eye-opening.  Our birds are citizens of the planet and their welfare and success is wedded to our own.  I hope you choose to look closer at the lives of birds in your neighborhood and become amazed and motivated to protect and preserve them.  
    Speaking of amazing...check out this video of the "murmurations" of the starlings over Rome.




Saturday, April 22, 2023

April is Poetry Month: Day 17

Hawaii, Oct, 2018, J. Doolittle

Wild Nights--Wild Nights!
Were I with thee
Wild Nights should be 
Our luxury!

Futile--the Winds--
To a Heart in port--
Done with the Compass--
Done with the Chart!

Rowing in Eden--
Ah, the Sea!
Might I but moor--Tonight--
in Thee!
                        Emily Dickinson




From: Into the Garden: A Wedding Anthology, Poetry and Prose on Love and Marriage, Edited by Robert Hass & Stephen Mitchell,  Harper Perennial, 1993.

Emily probably wrote this passionate poem when she was about 28 or 29 years old.  She never married and lived reclusively, but had a rich inner life.  The authors feature this poem in their introduction and I'm going to share their interpretation.

"I've just recently realized why this poem is so mysterious and beautiful to me.  When you first read it, you get the impression that the speaker in the poem is throwing out the charts to navigate by the freedom of her feelings in the open sea.  But it isn't so.  She has thrown them out because she is in port, in safe harbor.  And that, I saw, is what we want from each other most intimately: wildness and safety, or a magical space that includes both.  That is what is mean to row in Eden.  Dickinson herself came to believe, I think, that the dream wedding was only possible in a passionate mind, which is to say in a poem.  I don't think she thought you could have both in the real world.  It's my experience that you can have both, not all of the time but some of the time and that this possibility depends on the other more durable things that love means.  And the root of these is trust." 

Monday, April 17, 2023

April is Poetry Month: Day 16



 Future Ark

Imagine a world where humans would 
    Do their best for the planet's good:
Water pure and forests fair--
No pollution to kill the air.
Can we change our ways much faster
And avoid complete disaster?

For without space to live in peace
The animals will soon decrease
Then disappear without a trace--
Could robot creatures take their place?
There isn't time to wait and see...
The microchip can't make a tree.

James Marsh


From: Bizarre Birds & Beasts, written and illustrated by James Marsh, Dial, 1991.  The illustrations may be stronger than the verses, with their vibrant colors and rich and quirky details, but the poems are short and catchy and together create a book that is a joy to spend time with.  I'd like to frame each and every illustration.  The selected poem is the last one in the book and has a message we've been hearing for years and have failed to act on.  Fifty percent of our world's animal species could become extinct within this century without action.  Think of that....50%!  We continue to worry about how expensive gasoline is, how we can continue to live our comfortable lives without inconvenience and species are struggling to survive, from pole to pole, across all the oceans and the continents.  Their beauty, diversity and value to our planet disappearing.  We must do more to protect our wondrous planet!  


April is Poetry Month: Day 15

Open Secrets 

Because you are beautiful I will have to tell you a number
    of my secrets
(What does anyone hid anything for except to have
    it found?)

I have concealed from you too long the fact that space
    is curved,
That I have invented the night the better to see you by 
    that
If I seem upset at times it is because of the way you walk,
    leaning into the wind.

That most of my secrets are doors that open onto other 
    secrets--
(Vistas of fields and beaches and columns stretching on
    forever),

That even these words are secrets with turquoise doors
    in them,
Opening out to one side or the other, letting you glimpse
    for two seconds
Herds of speaking horses, temples full of starfish
    Clandestine moons,

And as you walk, leaning into wind, into the terrible landscape
    of your own beauty,
These secrets are my gifts to you, these signs that lead you
    to my door.
                                    --Gwendolyn MacEwen (1941-1987)
Reykjavik, Iceland, 5/2022, photo image J. Doolittle


A poem is a peculiar, particular thing; often compact (the depth of a novel in the space of a page).
Every word chosen JUST-BECAUSE- no other word could quite say it as clearly or deeply.  The line breaks, the punctuation, Capitalization (or not), the way the words and lines sit on the page--all of those things can enlarge the poem, convey the meaning, expression the emotion, dictate the cadence.  A poem is the essence of gestalt, a thing greater than the sum of all its parts.  
For example, this poem on my Facebook post looks different and may not "sound" the same when you read it (even in your silent reading mode), so check out how it looks and reads on my blog and see what you think.

Writing a poem about love is a common undertaking (Roses are red...etc.)and yet an enormous challenge to capture "the bright elusive butterfly of love."  Poets and non-poets alike have nevertheless continued to try.  All too often the poems we read represent only one side of the equation; women poets have been underrepresented in anthologies on this subject. Of course, men can write beautifully about love.  I cite Robert Browning: 

Escape me? 
Never--
Beloved!
While I am I, and you are you,
    So long as the world contains us both... 
 
But don't we also need to hear his beloved, Elizabeth Barrett Browning's response?

How do I love you? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.


Jill Hollis has attempted to rectify that shortcoming in Love's Witness: Five Centuries of Love Poetry by Women, Carroll & Graf, 1993.  She mingles the bitter and the sweet and introduces us to women writers we are sure to have missed in our English classes.  
The poem I've shared, with its beautiful images of doors and secrets and of our longings for someone to open those doors and discover our wonders was so appealing. It became even more intriguing when I learned a little about the author, a Canadian poet, Gwendolyn MacEwen, who grew up quickly,  died tragically, but lived richly and fully in her 46 years on earth.  

Sunday, April 16, 2023

April is Poetry Month: Day 14

Little Girl as Earthquake Lit by Stars

She is embarrassed by the steadiness
Photo image created by Jean Doolittle
original 9/2015, Greenport, NY

of adult life.  Don't they know,
she wonders, there's a wind
beneath the ground too.
that birds soar through the roots.

When she was three she wanted 
to be a field of yellow grass.
At four she was determined 
she would grow up to be gravity.
Now though she wants to be
an earthquake.  What unsettles us.
She will stop us from ever standing
still too long.  A pacemaker,
like Uncle Jack's but this one
for the heart of the earth.

Sometimes she dreams of meeting
the perfect boy, one with hair
like sawdust, one who will grow
to be a star.  Not one of those greasy guys
in those movies her mother watches
in the afternoon, but
that real light that shines
across dark miles, something
measured only on its own terms,
by intensity and speed of flight.

Imagine as she does what a girl
as earthquake and boy as star could do
together.  As if we might love
our own light enough to curl within it,
to fall towards ground that trembles
in anticipation of our landing.  As if
light and earth could join and move
beneath us, jolt us into dance.
Imagine as she does what it is
to grow up and become rain or river,
symphony orchestra or garden, or one tree that stays
very tall no matter how far away from it 
you go no matter how high you climb.
                                --John Reinhard


From: The Kiss of Pages Turning, The Loft Literary Center, 1998.

"Life begins at 40" is often associated with a book written by Walter Pitkin in 1934 and has become something of an axiom in the 20th and 21st centuries.  People in previous centuries weren't saying that because the average lifespan was so much shorter in the past; there usually wasn't much life left after 40.  In our lifetimes, however, modern medical advances and decreases in infant mortality gave more and more people the opportunity to add other chapters to their lives in the years after establishing careers and childbearing and childrearing.  The "mid-life crisis" was born along with that opportunity.  If you had more life, what would you do with it?

I remember feeling somewhat overwhelmed with life's responsibilities at that time, sensing that I should have had more figured out and put into place by then and since I did not, just wanting to get away from it all.  I had even picked out a place to disappear to...White River Junction, Vermont.  Having never been to Vermont, I had no real idea of what it would be like there; just that Vermont was far away and seemed quiet, pastoral and the leaves would be beautiful in the fall. 

I never packed up and went to Vermont and I don't think my family ever knew how seriously I was considering it.  Instead I did do sometimes for myself outside of my home.  I signed up for writing classes at the Loft.  One of those classes was poetry writing with John Reinhard.  The other aspiring poets in the class were enthusiastic and very talented and we continued to meet and critique each other's work long after the class was over.  Several have published their poems in books and poetry anthologies...talented, indeed.

John is a great teacher and an outstanding poet.  A few years after my class with him, he was one of the winners of the 1998 McKnight Arts Fellowships for Writers and his work was published in this anthology that I'm featuring, along with some other powerhouse Minnesota writers you may have heard of: Leslie Adrienne Miller (poet, collage artist and professor at St. Thomas) David Mura (Japanese-American poet, non-fiction writer, playwright and performance artist), Kate DiCamillo, Newbery Award winning children's writer) and William Kent Krueger (best-selling mystery writer, known for the Cork O'Connor series). 

I love the imagery of this poem and I remember that John told us about it origins; I only wish I remembered the story he told, but somehow I find myself singing "Lucy in the Sky With Diamonds" when I read it.